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Because They Wanted to: StoriesBy Mary Gaitskill
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A New York Times Notable Book
A man tells a story to a woman sitting beside him on a plane, little suspecting what it reveals about his capacity for cruelty and contempt. A callow runaway girl is stranded in a strange city with another woman’s fractiously needy children. An uncomprehending father helplessly lashes out at the daughter he both loves and resents. In these raw, startling, and incandescently lovely stories, the author of Veronica yields twelve indelible portraits of people struggling with the disparity between what they want and what they know. Because They Wanted To is further evidence that Gaitskill is one of the fiercest, funniest, and most subversively compassionate writers at work today.
- Sales Rank: #429322 in Books
- Brand: Gaitskill, Mary
- Published on: 1998-02-27
- Released on: 1998-02-27
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .80" w x 5.25" l, .49 pounds
- Binding: Paperback
- 256 pages
Amazon.com Review
Reading a Mary Gaitskill short story is like getting into a no-holds-barred fight: mean, raw, and dangerous. She's fond of portraying characters who seem strangely comfortable living in emotional extremity. She never takes the safe route through a story; in fact, she'll choose the low road every time. The title story places a runaway girl in care of abandoned children. Where many writers would seek out some faint ray of redemption or hope, Gaitskill concentrates on the grime in the cracks of the linoleum. In "The Girl on the Plane," a bitter man confesses his participation in a brutal act to a stranger, but the confession brings no solace. These stories practically shake with tension. In the final long story of this collection, "The Wrong Thing," Gaitskill picks up the tale after the breaking point, as she gracefully illuminates the life of a woman piecing together the fragments of her sexual and emotional history. Because They Wanted not only fulfills the promise of her previous short-story collection Bad Behavior and the novel Two Girls, Fat and Thin, it takes us to a higher place.
From Publishers Weekly
In "The Dentist," a story about a magazine writer's sexual infatuation with her bland, middle-aged dentist, a billboard for Obsession perfume looms over the protagonist's neighborhood, projecting a "strange arrested sensuality of unsatisfied want." Like that billboard, the nine stories in Gaitskill's third book (after the novel, Two Girls, Fat and Thin) hold a mirror up to a 30-something zeitgeist of emotional dysfunction, chronicling people paralyzed by unappeasable desires and trapped by abusive families and relationships. The landscape is a familiar one?of support groups and public health clinics, funky neighborhoods in the Pacific Northwest and lower Manhattan inhabited by writers, musicians and sex workers. With her crisp prose and withering eye for detail, Gaitskill invests these scenes with psychological vividness and desolate poignancy. The title story is a portrait of a resilient 16-year-old who runs away from home in the wake of her parent's divorce and takes a job in Vancouver babysitting for a financially desperate mother of three. The disgruntled protagonist of the opening story, "Tiny, Smiling Daddy," disturbed that his estranged lesbian daughter has published a self-help essay about him in a national magazine, ponders the divide between parents and children. In the four-part final story, "The Wrong Thing," a 39-year-old poetry teacher tries to remain stoic in the face of a series of erotic but loveless flings. It's telling that Gaitskill's title is an unfinished sentence, for the theme that binds these stories together is an emotional modality shared by a cast of unhappy people, whose sordid fantasy lives and small gestures of compassion allow them to keep at bay the meaninglessness and despair of the everyday.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Many of the stories in Gaitskill's new collection conform to the same structure, shifting between present and memory, depicting the past catching up to her characters. In "The Girl on the Plane," a man meets a woman who resembles a college classmate, and their conversation elicits in his mind the sordid details of his role in a drunken gang-rape. In "Tiny, Smiling Daddy," a young woman writes about her father for Self. While driving to purchase the magazine, the father reflects on her childhood. "Orchid" details the reunion of two college roommates?Margot, a lesbian, and Patrick, a Lothario?and how smoldering memories can blaze when provoked. Gaitskill's characters thrive on the frontiers of sexual identity, where they search for love that can coexist with the traumatic histories that burden them, and the stories they inhabit reflect their complexity?opting for simple survival over reductive resolution. Often, for Gaitskill, the striking of a single sustained note of self-knowledge is enough to keep a chorus of insoluble problems at bay. Recommended.?Adam Mazmanian, "Library Journal"
Copyright 1997 Reed Business Information, Inc.
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