Free Ebook Cotton Tenants: Three FamiliesBy James Agee
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Cotton Tenants: Three FamiliesBy James Agee
Free Ebook Cotton Tenants: Three FamiliesBy James Agee
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A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer
In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a four-hundred-page prose symphony about three tenant farming families in Hale County, Alabama at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.”
The origins of Agee and Evan's famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune's editors shelved the story because of the unconventional style that marked Let Us Now Praise Famous Men, and for years the original report was lost.
But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune.
Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”
Co-Published with The Baffler magazine
- Sales Rank: #209197 in Books
- Brand: Brand: Melville House
- Published on: 2013-05-29
- Released on: 2013-05-29
- Original language: English
- Number of items: 1
- Dimensions: 7.82" h x .64" w x 5.78" l, .81 pounds
- Binding: Hardcover
- 224 pages
- Used Book in Good Condition
From Publishers Weekly
Starred Review. Seven decades have passed since Agee (A Death in the Family) and Evans were commissioned by Fortune magazine to "report on working conditions of poor white farmers in the deep south." The report itself was never published, and the manuscript stayed forgotten until as late as 2003, when it was exhumed from Agee's Greenwich Village home by one of his daughters. It is a time capsule: open it and you are transported to "a brief account of what happens to human life," specifically the lives of three impoverished tenant farmers—Floyd Burroughs, Bud Fields, and Frank Tingle—and their families, captured in Agee's honest, unflinching, and brilliant prose. Readers familiar with Agee's Let Us Now Praise Famous Men will relish what is more than "source material", and recognize, for example, many of Agee's description of the diet, shelter, and labor of an Alabama tenant family. To readers unfamiliar, this will be an unexpected pleasure. It is the minute detail of the work that brings Depression-era Alabama to life, including the colloquialisms, (Miss Mary's calling the babies "coons"), medicinal remedies (swampwillow bark for chills, cottonseed poultices for head pains, rattlesnake grease for rheumatism), and the leisure time "of people who work." Photos. (June)
From Booklist
This book is Agee’s 1936 submission to Fortune magazine for an assignment on sharecroppers in the Deep South. Rejected and unpublished, the typescript was rediscovered in 2003 by Agee’s daughter in her deceased father’s Greenwich Village home. Cotton Tenants will enter the American literary canon for different reasons than Agee’s far more developed classic on the same subject, Let Us Now Praise Famous Men (1941). Here, Agee’s discerning eye, crushing bluntness, and forward-falling prose poetry urge along before dunking readers’ senses, again and again, into the families’ way of life. Disdainful of sentiment and melodrama, Agee shows no bias, revealing his subjects and skewering both oppressors and supposed reformers. History, sociology, and economics instructors will like this compact book’s quick, thorough engagement, and writing teachers can deservedly ask students, “What is it? Journalism, sermon, inadvertent economy of language, manifesto?” Yes, this nugget of . . . whatever—with an incisive preface by Adam Haslett—is meant for use. Like Let Us Now Praise Famous Men, it contains photos by the prestigious Evans. --Dane Carr
From Bookforum
This is not merely an early, partial draft of Famous Men, in other words, not just a different book; it's a different Agee, an unknown Agee. Its excellence should enhance his reputation. This new book is most properly classed as a lost classic of that '30s-era documentary renaissance, of which Evans was a part, and Zora Neale Hurston and Alan and Elizabeth Lomax and the WPA. --John Jeremiah Sullivan
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